The bourgeois and extremely eccentric Van Peteghem family - among them Juliette Binoche, Fabrice Luchini, and Valeria Bruni Tedeschi - have settled in for another summer at their cliff-top villa overlooking the picturesque Slack Bay. Their leisurely rhythm of sunbathing and seaside constitutionals is soon interrupted by the arrival of two bumbling inspectors investigating a string of tourists gone missing.

Based on the Prix Goncourt winning novel The Great Swindle by Pierre Lemaître (the best-selling author of the Camille Verhoeven series), Au revoir là-haut (See you up there) is a somptuous period drama in the great French tradition of A Very Long Engagement and La Vie en Rose.

Winner of five César Awards including Best Production Design, Best Costumes Design and Best Adapted Screenplay, Au revoir là-haut fades up a few days before Armistice, when Edouard (BPM's Nahuel Perez Biscayart)saves Albert's (Albert Dupontel, 9-month Stretch) life.

Condemned to live, the two misfits mount a monumental scam to put things right, which puts them in the scope of corrupt army officer Henri d'Aulnay-Pradelle (Laurent Lafitte, Elle) and Edouard's wealthy banker father, Marcel (Niels Arestrup, A prophet). Before the screen fades out, our heroes go through a monumental and colourful journey through France during the Roaring Twenties that you will never forget.

Determined 15-year-old Lara is committed to becoming a professional ballerina. With the support of her father, she throws herself into a quest for the absolute at a new school. Lara's adolescent frustrations and impatience are heightened as she realizes her body does not bend so easily to the strict discipline because she was born a boy.

Miriam (Léa Drucker, The Blue Room) and Antoine (Denis Ménochet, The Returned) have recently separated.While she's willing to permit their 17-year-old daughter Josephine (Mathilde Auneveux) to decide living arrangements for herself, Miriam is desperate to keep her youngest, 11-year-old Julien (Thomas Gioria), away from his father. But the magistrate rules in favour of joint-custody, and suddenly the boy is thrown directly into the middle of an escalating parental conflict, where it seems inevitable that sides must be chosen.

Superbly observed and flawlessly acted, Legrand's precise dissection of this family dynamic masterfully builds into a pulse-pounding thriller. Honest, yet still evoking profound sympathy for all its protagonists, CUSTODY is sure to be remembered as one of the most important and vital films of the year.

Alain (Fabrice Luchini, In the house) is a respected businessman and a brilliant speaker. He has no place for recreation or family in his life. One day he has a stroke which stops him in his tracks and brings home deep memories. Jeanne (Leila Bekhti, Paris I love you) a young speech therapist, is in charge of his rehabilitation. Through a lot of patience and hard work, Jeanne and Alain get to know each other and in their own way, finally begin to rebuild themselves and take the time to really live.

Summer 1946, the Cousteau family - Jacques, his wife Simone and their two children Philippe and Jean-Michel - live in their beautiful house by the Mediterranean sea. By day, they dive, by night they watch the stars. It's paradise on earth but Jacques is never content. He lives and breathes adventure and believes absolutely in the virtues of progress.

Ten years later, back from boarding school, Philippe finds his father greatly altered - an international celebrity with megalomaniac dreams of grafting gills to humans and creating underwater cities. Jacques cannot see it yet, but Philippe already understands that progress and mutual love and admiration, conflict between these two passionate men is inevitable.

When lonely 45-year-old widower Erwan (The remarkable François Damiens, The Bélier family) discovers by accident that the man who raised him isn't his real father, he begins a search for his biological one. Thanks to a local private detective he soon locates the mischievous, 70-something Joseph (Le Havre's Andre Wilms), whom it seems his mother may have known briefly. Erwan sonn falls not only for his charm but that of the impetuous Anna (a radiant Cécile de France) who has ties to them both. But the conflicting loyalties become compounded by the pregnancy of his own daughter (Alice de Lencquesaing) who defiantly refuses to name the father...very soon Erwan's families begin to collide, to unexpected, hilarious and moving effect.

Offering a terrific showcase for her brilliant cast, director Carine Tardieu skillfully weaves a wholly-entertaining exploration of love, coincidence and human connection. Few films manage to pluck both the heartstrings and the funny bone as well as Just to be sure. It's a delight!

Academy-award winner Juliette Binoche gives one of the finest performances of her career in this dazzling and emotionally rich debut feature from Italian wunderkind Piero Messina, who previously worked as the assistant director on Paolo Sorrentino's Oscar-winning THE GREAT BEAUTY. In the vast rooms of a beautiful Sicilian villa, Anna (Binoche)receives an unexpected guest. Twenty-something Jeanne (the gorgeaous Lou de Laage) has arrived from France, declaring herself to be the girlfriend of anna's son, Giuseppe, who has invited her to the house to spend Easter together. But this is news to Anna and Giuseppe is not yet there. Despite the disruption to her routine, Anna invites her young guest to stay, and as the two women await Giuseppe's arrival, they slowly begin to form a connection. Jeanne, dislocated and a little mystified at first, gradually gives in to the charms of the volcanic island. She swims in the nearby lake and makes new friends, while Anna - watched over by a long-time family friend - comes out of her shell. yet still, her son's absence remains unexplained...

The famous disney animated movie Alice in Wonderland 

The myth of the arch of Noah for children

Every year, Bruno (Benoit Poelvoorde), a disheartened cattle breeder, attends the Paris Agricultural Show. This year, his father, Jean (Gerard Depardieu) joins him: he wants to finally win the competition with their bull and convince Bruno to take over the family farm. Every year, Bruno makes a tour of all the wine stands, without setting food outside the Show's premises and without ever finishing his wine trail. This year, his father suggests they finish it together, but a real wine trail, across the French countryside. Accompanied by Mike, a young, quirky taxi driver, they set off in the direction of France's major wine regions. Together, they are going to discover not only the wine trails, but also the road that leads back to Love.

1971, Delphine (Izia Higelin) a twenty-something farm girl of humble means, takes a huge step by packing up and moving to Paris, searching for independence and a life beyond the duties of her rural upbringing. It's not long before she is drawn to dynamic thirty-something Carole (Cecile de France) who is actively involved in the emerging feminist movement. Carole lives with her boyfriend, but the two women quickly fall head over heels, and become inseparable. Their bliss is interrupted, however, when a family emergency forces Delphine back to the farm and to her mother (Noemie Lvovsky), and Carole decides to follow her. There, the couple has to face a far different family.

Featuring stunning production design that indelibly captures both the beauty of the French regions and the vibrant streets of PAris in the 70's, the film invites audiences to bask in the glow of a fledgling yet all-consuming passion, in all its throes. With radiant performances and impeccable direction, La belle saison is French cinema at its absolute finest.

The charming town Mêle-sur-Sarthe, Normandy, is in crisis. Dairy and livestock prices have plummeted due to a flood of imports, and farmers are threatened with foreclosure. Mayor Georges Balbuzard (The Untouchables's François Cluzet) does his best to fight and raise awareness of their plight but the situation isn't deemed newsworthy for national media.

Things seem hopeless...until the day famous American photographer Newman (Toby Jones) passes through the village, inadvertently discovering the perfect backdrop for his next shoot. Balbuzard sees a rare opportunity, and sets about convincing the townsfolk - the farmers, the butcher, the pharmacist, some 200 in all - to participate. But there's a catch.

Boasting superb performances and conveying a rich sense of place, Le Guay's wonderful ensemble delivers a memorable and touching portrait of community, resilience and fraternité, and a hugely enjoyable experience for film-lovers of all shapes and sizes.

French monthly magazine and publisher for children. Created in parallel to J'aime Lire, but for younger readers aged 6-7 years old

The periodical "J'aime Lire' is a joy to read for the 7yo to 10yo. It has a good diversity of topics and actvities to stimulate your children's imagination and to encourage them to read. You will find a story, different short comics and games written and created by the best youth literature authors

The periodical "J'aime Lire' is a joy to read for the 7yo to 10yo. It has a good diversity of topics and actvities to stimulate your children's imagination and to encourage them to read. You will find a story, different short comics and games written and created by the best youth literature authors

The periodical "J'aime Lire' is a joy to read for the 7yo to 10yo. It has a good diversity of topics and actvities to stimulate your children's imagination and to encourage them to read. You will find a story, different short comics and games written and created by the best youth literature authors

Unable to find work in his field, Joseph Ponthus enlists with a temp agency and starts to pick up casual shifts in the fish processing plants and abattoirs of Brittany. Day after day he records with infinite precision the nature of work on the production line- the noise, the weariness, the dreams stolen by the repetitive nature of exhausting rituals and physical suffering. But he finds solace in a life previously lived. Shelling prawns, he dreams of Alexandre Dumas. Pushing cattle carcasses, he recalls Apollinaire. And, in the grace of the blank spaces created by his insistent return to a new line of text - mirroring his continued return to the production line - we discover the woman he loves, the happiness of a Sunday, Pok Pok the dog, the smell of the sea.

In this celebrated French bestseller, translated by Stephanie Smee, Ponthus captures the mundane, the beautiful and the strange, writing with an elegance and humour that sit in poignant contrast with the blood and sweat of the factory floor. On the Line ( la ligne) is a poet's ode to manual labour, and to the human spirit that makes it bearable.

French monthly magazine and publisher for children. Created in parallel to J'aime Lire, but for younger readers aged 6-7 years old

The portrait of a woman in her decline, her last love.
Heroin belongs to a period in the life of the author and is standing witness to a concern exceeded.
...
When Thérèse, with a trembling hand, spreads her hair swept across his forehead, so that the boy she charm, takes into horror and away from her, this gesture gives meaning to the whole book.
The unfortunate part of the vast family of these creatures that come out of that night out of life.

The beginning of the novel takes place in Bordeaux and in the Gironde moor around 1905. Blanche Frontenac, a still young widow, is totally dedicated to the education of her five children: the eldest, Jean-Louis, then José, Marie, Danielle and finally, the younger, Yves. For Blanche, this fragile child, dreamy and eager for affection, "differed from the others, like the only puppy in the litter spotted with fawn." Blanche never questions her dedication, but despite everything she finds herself frustrated in her personal development.

In The Desert of Love, we find two men in love with the same woman: a boy of seventeen and his father, who is fifty-two. Neither gets it, and neither can forget it. This woman, Maria Cross, is a small bourgeois who, out of laziness and a taste for luxury, has become a well-kept woman. People speak of her with contempt and as a monster of science and perversity. When Raymond Courrèges meets her, at the end of his adolescence, he finds with amazement a small, ordinary and sentimental being, eager for consideration that we are not used to granting him. Raymond shows him an easy banter and gets kicked out, despite Maria's very lively taste of her youth and freshness. During this time, she herself is loved by Doctor Courrèges, who is her doctor. But she has for him those feelings of deference and respect which are very far from love, and he himself, despite the torture he experiences, cannot pass from this state of serious and fatherly counselor to that of lovers. passionate or transfixed. He suffers in silence and we know of few paintings more moving of love than that of this mr, serious, thoughtful man, whom anguish torments and who is forced to live among his family, in the starchy atmosphere of a provincial family, where each one observes, watches over each other, teases each other and never tells each other the truth. At the end of the book, Maria Cross married her lover, and she became a definitely inaccessible bourgeois. But between the father and the son Courrèges was woven a secret and deeply alive bond: "They are parents by Maria Cross."

The complex moral ambiguities of seduction and revenge make Les Liaisons dangereuses (1782) one of the most scandalous and controversial novels in European literature. The subject of major film and stage adaptations, the novel's prime movers, the Vicomte de Valmont and the Marquise de Merteuil, form an unholy alliance and turn seduction into a game - a game which they must win. This new translation gives Laclos a modern voice, and readers will be able a judge whether the novel is as "diabolical" and "infamous" as its critics have claimed, or whether it has much to tell us about the kind of world we ourselves live in. David Coward's introduction explodes myths about Laclos's own life and puts the book in its literary and cultural context

this book is really captivating, we must not focus on the summary on the back of the book, at the beginning I was quite skeptical but when I devoured volume 1 I absolutely wanted to know the rest and since there are 17 tomes in the saga is that of happiness. The book is generally about James, an 11-year-old who lives with his sister Loren and his mother, who is obese; he also has a father-in-law who visits once or twice a week, in the story he is a real rubbish and we can confirm it [...] I will not tell everything because otherwise there would be no surprises at the time of reading. Joy, sadness, humor ... To put it simply, buy this book and you won't regret it, and I hope I helped you with your purchase.

Struggling with Cherub's management, Agent James Adams, 13, is sent to a poor London neighborhood to investigate the obscure activities of a local mobster. But this small-scale mission will soon uncover a criminal conspiracy of unexpected magnitude ...

The British underworld is controlled by gangs. When two of them start a turf war, violence explodes onto the streets.

The police need information fast and James Adam has the contacts to infiltrate the most dangerous gang of all.

For his second mission, Agent James Adams is ordered to enter the heart of the gang of the most powerful drug trafficker in the United Kingdom. His goal: to gather the necessary evidence to send this dangerous criminal behind bars. A high-risk operation ...

Ultimate mission for James Adams: to ensure the safety of an Indonesian governor visiting London. But James discovers that this corrupt politician got rich off the backs of the victims of a devastating tsunami. He must then face a serious dilemma: accomplish his mission without asking any questions, or betray CHERUB at the risk of tainting his irreproachable agent CV?

Born around 1340, Garin is a teenager of around fourteen who travels around France in search of work as a traveling scribe. Nineteenth child of a family of twenty-five, Garin fled the family home to no longer suffer the blows of his alcoholic father and to forget the indifference of his mother who regrets that none of her children are dead because they give him too much work ...